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Love the Coopers Movies 2015 Official Trailer

Love the Coopers Films info

DIRECTORS

Jessie Nelson

WRITERS

Steven Rogers

CAST

Diane Keaton

John Goodman

Ed Helms

Alex Borstein

Timothée Chalamet

Maxwell Simkins

Blake Baumgartner

Amanda Seyfried

Alan Arkin

Dan Amboyer

Marisa Tomei

Scott Garan

Dorothy Silver

Olivia Wilde

Channing Sebetich

Mike Pusateri

Jake Lacy

June Squibb

Larry McKay

Kanani Rose Rogers

Anthony Mackie

Molly Gordon

Sylvia Kauders

Krista Marie Yu

Lev Pakman

M.R. Wilson

Elisabeth Evans

Keenan Jolliff

Sean McGee

Rory Wilson

STARS

Diane Keaton

John Goodman

Ed Helms

Alex Borstein

Timothée Chalamet

User Reviews

Better late than never I always say! Hi I'm Robbie K and this review is on a comedy designed to be a holiday treat for the bunch. The name of the movie is Love the Coopers, which from the trailers looked to be packed with stars who were ready to make you bust a gut with lots of laughs. Of course…we do know that multiple big names in one movie often leads to disaster in terms of quality and plot (Valentine's Day and New Years Eve anyone?). Anyway, let's get started on the review. 

For a comedy, Love the Coopers has a bit more wit involved in terms of making you laugh. By wit I don't mean the dry comedy that you have to be in the loop to understand, but more so in how well it is integrated into the story. The dialogue happens naturally, flowing into the normal routine instead of shoving a comedic ploy into our faces. In addition the variety of the jokes helped keep the movie fresh and fun, ranging from sexual innuendos and first time kisses to insults and the art of lying. Even better was how all of these jokes fit into place and worked with the individual's story to further maximize the timing. And yet I think all of it would have failed had it not been for the actor's delivery. Whether it was John Goodman's sarcasm, Olivia Wilde's angst and attitude, or June Squibb playing the clueless aunt it all was maximized by how well they sold the lines. Or in some cases it might have just been a facial expression that got me laughing, primarily from Rags the dog who continues to take the drama and roll with it in some way.

So strong comedy must mean good story right? Wrong! Love the Coopers' plot was very lacking in entertainment for this reviewer. As I feared, the tale was very fragmented with multiple mini-plot lines slowly converging until they all meet in the end. This tactic has worked in the past, but like most modern comedies, they lack balance. Some of these plot lines are strong, taking constant screen time and establishing the backbone. Others however would have their 15 minutes of fame and then not be seen for some time, often hastily concluded with the reunion of plot lines. Fortunately it's all wrapped in a nice Christmas package, however untraditional it is. This isn't the run of the mill, feel good movie that you see on Hallmark though, but instead one that uses the Holiday as a means for character evaluation. Love the Coopers is actually a downer, especially at the beginning where all the problems come to light. Thus with the poor plot and depressing tone, I felt this movie dragged at a lot of the parts, making the 107 minutes feel more like 180 minutes. I'll admit I nearly nodded off a few times as well, so that might be something to take to mind. No surprise…everything comes full circle in the end and you'll get some grand lessons if you keep your mind open, but it certainly isn't the most moving piece I've seen. 

As I mentioned earlier, the actors really are the strongest part of this movie. John Goodman was my particular favorite as the big man continues to impress me with his wide spectrum of characters. He's funny, serious, and keeps the stories tethered together and plays exactly like the stereotypical head of the household. Diane Keaton unfortunately was not in my favor this time not so much for her acting, but that her character was so annoying. She's a good counter to Goodman's calmness and a great source of drama, but it was a little too much for me. Olivia Wilde steps back in the light with a decent role that combines sexuality with mischief and uses her gorgeous looks to complete the character. Ed Helms is a little more down to Earth in this film, trading in overacted arrogance and stupidity for a more believable character. It was nice getting to see a more serious side of things, and helps add a bit of awkwardness to an otherwise cut and dry family. Alan Arkin is great as always, though underutilized in my opinion and would have been great to have a few more quips and lessons to add to the mix. Heck even the kids impressed me with how fitting their characters were taking components of a Christmas Story, Christmas Vacation, and a Hallmark kid and wrapping it into one. And Steve Martin as the narrator added a nice tree topper, fitting right in line with the various narrators of classic Christmas stories. 

Love the Coopers is an okay film, but certainly isn't your run of the mill Christmas tale. Sure the comedy was a nice variation, and the acting certainly made the characters alive and relevant. Unfortunately this movie was just too monotonous, long-winded and depressing to make this movie fully entertaining. I'm sure you can guess from my review that this movie really isn't worth the trip to the theater, not only due to lack of entertainment but also a lack of special effects. Therefore this reviewer recommends skipping this movie at the time and finding an alternative to this movie. 

User Reviews

Good documentaries about the Holocaust, such as the harrowing Night and Fog, are impossible to forget. In a less visceral way, but still memorable, What Our Fathers Did: A Nazi Legacy explores in an interview style two sons of high-ranking Nazi officers. The low-key three-hander, moderated by Jewish lawyer Phillipe Sands, exemplifies the difference between acceptance of the horror and denial, both still active points of view.

Horst von Wachter believes his father was blameless because he was following orders with no alternative but death for anyone who disobeyed. Yet, he signed orders to build Dachau, the notorious death camp. On the other hand, Nicklas Frank completely accepts his father's responsibility and shoulders the shame courageously and with an equanimity that contrasts with Horst's defiance.

Because Niklas's father was convicted at Nuremburg of murder and hanged for "command responsibility" and Horst's escaped, it's probably why Niklas thinks Horst is a Nazi, and why Horst calls Niklas an "egoist maniac." The filmmaker is on Nicklas's side.

Director David Evans smoothly intercuts old footage, much about family outings, whose joy contrasts starkly with the murder going on in the background. His emphasis on the humanity of his interviewer and the contrast between the two subjects is unwavering. Yet the filmmaker's opinion, evidenced in the closing voice-over, is apparent, some might say to the detriment of the doc's objectivity.

As for me, I don't know how a decent human being could hide sympathy for the victims and survivors of the world's most heinous crime. Although What Our Fathers Did presents the two enduring attitudes toward Nazis and their shame, the outcome is as it will always be--outrage and a lingering sadness for the entire human race.IMBD

DIRECTORS

Catherine Hardwicke

WRITERS

Morwenna Banks

CAST

Drew Barrymore

Toni Collette

Dominic Cooper

Paddy Considine

Tyson Ritter

Mem Ferda

Noah Huntley

Jacqueline Bisset

Janice Acquah

Charlotte Ubben

Shola Adewusi

Honor Kneafsey

Anjli Mohindra

Ryan Lennon Baker

Joanna Bobin

Eileen Davies

Sophie Holland

Charlotte Hope

Shaz Lancaster

Lucy Morton

Lukas Rolfe

Grace Schneider

Eleanor Stagg

Emily Trappen

Anick Wiget

Neil Alexander Smith

Ricky Rajpal

Kumud Pant

Cameron Joel Orme

Guna Gultniece

STARS

Drew Barrymore

Toni Collette

Dominic Cooper

Paddy Considine

Tyson Ritter

DIRECTORS

John Crowley

WRITERS

Nick Hornby

Colm Tóibín

CAST

Saoirse Ronan

Hugh Gormley

Brid Brennan

Jim Broadbent

Maeve McGrath

Emma Lowe

Barbara Drennan

Gillian McCarthy

Fiona Glascott

Jane Brennan

Eileen O'Higgins

Peter Campion

Eva Birthistle

James Corscadden

Julie Walters

Emily Bett Rickards

Eve Macklin

Nora-Jane Noone

Mary O'Driscoll

Samantha Munro

Jane Wheeler

Jessica Paré

Adrien Benn

Alain Goulem

Max Walker

Iarla O'Lionaird

Jenn Murray

Ellis Rockburn

Emory Cohen

Erika Rosenbaum

STARS

Saoirse Ronan

Hugh Gormley

Brid Brennan

Jim Broadbent

Maeve McGrath

Reviews

When the older generation talk about them "not making films like that anymore", this should be the film they go and see. This is a film that will appeal greatly to the "Marigold Hotel" set, and from the audience mix in the well-attended Tuesday night screening I attended, that message is getting out there. 

Saoirse Ronan plays Eilis, a teenage girl growing up in Ireland's County Wexford with her older sister and widowed mother in the early 1950's. Short on opportunities for a decent life, she is sponsored into a new city and a new job by Father Flood (Jim Broadbent), a friend in the New York clergy. Desperately homesick, we follow her trials and tribulations as she eventually settles into her new life through the love of a good (albeit sometimes un-favourably smelling) young man (an impressive Emory Cohen). Torn between her family duty at home in Ireland, where lurks another beau in the form of Domhnall Gleeson ("Ex Machina", "About Time"), Eilis is caught in a love triangle with a 5,000 km hypotenuse.

Ronan is mesmeric in the role of Eilis. Most famous for her dramatic role in the much-underrated adventure film "Hanna", and more recently in last year's superb "Grand Budapest Hotel", here she has to carry a demanding starring role and she does so with great skill. 

The supporting cast are also excellent, with Jane Brennan in particular turning in a heartbreaking performance as Eilis's mother (albeit, I felt, in one of the more two-dimensionally scripted roles in the film). Also of particular note is national treasure Julie Walters, hilarious as the landlady Mrs Kehoe coming out with some cracking dialogue, and Jenn Murray (set to appear in Potter spin-off "Fantastic Beasts and Where to Find Them") as the kookie and man-hungry new guest-house arrival who is a sheer comic delight to watch. 

The script is by Nick Hornby ("About a Boy"), based on the novel by Colm Tóibín, and zips along pleasantly with only the occasional missed step (there was one line in particular that reeked of cheese).

The director is John Crowley, but credit should also go to the technical team that makes the US scenes just glow with nostalgia. The cinematography of Yves Bélanger ("Wild", "Dallas Buyers Club") is exquisite, especially in the more romantic scenes with Ronan wearing rich red costumes (by Odile Dicks-Mireaux). And the set decoration and special effects make scenes such as the ones at Coney Island very effective without having to break a (presumably) limited budget. All in all, this is a film that, if there is any justice in the world, I would love to see feature prominently in the Oscar art categories.

With some bittersweet twists and beautifully shot, this is a fill-em (to use the Irish vernacular) that should appeal to a broad audience looking for a romantic story well told on the big screen. By the way, imho the trailer gives too much of the plot away so I would recommend avoiding.

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The Peanuts Movie Movies 2015 Official Trailer

The Peanuts Movie Films

DIRECTORS

Steve Martino

WRITERS

Bryan Schulz

Craig Schulz

Cornelius Uliano

Charles M. Schulz

CAST

Trombone Shorty

Rebecca Bloom

Anastasia Bredikhina

Francesca Capaldi

Kristin Chenoweth

Alexander Garfin

Noah Johnston

Bill Melendez

Hadley Belle Miller

Micah Revelli

Noah Schnapp

Venus Schultheis

Mariel Sheets

Madisyn Shipman

A.J. Tecce

Marleik Mar Mar Walker

William Wunsch

STARS

Trombone Shorty

Rebecca Bloom

Anastasia Bredikhina

Francesca Capaldi

Kristin Chenoweth

User Reviews

I am a hardcore Peanuts fan and have been looking forward to this movie coming out ever since I found out about it almost 2 years ago. We went on opening day and I will admit, I was hoping that the creators of this movie would stay true to the heart of the characters and the Schulz comic strip. I found it amazing that the voices were spot on and I have no clue how they made them sound so authentic! They even managed to work in the original comic strips and animations into the movie in a really awesome and creative way! I literally did not stop smiling during the entire movie and left with a headache because of it LOL We are going back to see it again this week and cannot wait for it on .

Tab Hunter has a life story no one else but he could do justice telling. 

Bravo to Arthur for telling the story of one of the greatest football teams in high school football and the eventual downfall of potentially great athletes who could have had Hall of Fame careers.

This picture is true and accurate. No sugar coating the true message Charles Dutton does a great job as Coach Freddie James. His words are hauntingly inspiring David Banner as Royce West is both convincing and powerful. Carter High is a hard lesson to learn, yet does a good job of adding in some elements of humor.

I didn't expect a similar plot. But the plot itself it not the important part of this movie. The Cannes Festival have create some interest about this little incredible surprise, and it worth entirely the attention. It is all about life. Filmed in a very strange and unusual location, a farm in a poor area (Tuscany, but could be everywhere). About a very strange and unusual family (the center of it is a young teenager, Gelsomina by a unbelievable in her great acting Maria Alexandra Lungu), and a very strange business (honey and bees). But all these unusual choices results in a so strong, so sweet, so touching, little masterpiece. We feel fully involved, interested, part of this world that is, in fact, the world: love, young expectation, economic difficulties, pollution, family affairs, all is inside, but with no drama because the look used in this opera is a colored one, full of the hope of young people.